PRINT SALE

Hello! I am having a limited time sale in my shop - selling four 4x6 photographs for $15.
You can visit my shop by clicking this link here.

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On another note, on Wednesday the 22nd, I will be showing a few photographs at the Todmorden Papermill Art Gallery in Toronto through CAPIC, as part of the CONTACT photography festival this month. The opening is on the 22nd, from 6-9.


Thanks everyone. I hope you're having a beautiful spring/summer. 

Hello!

The past weeks have been a little chaotic as I have been doing a bit of travelling and have just moved into a new place. Boxes have been unpacked and things have been hung on the walls. We have a balcony which overlooks a community garden and large windows filled with light. Things are becoming a bit more orderly now! I hope you're all enjoying the first weeks of spring.
Here are a few updates:

- I will have an image up in Photoplace Gallery in Vermont this month for their Self Portrait exhibition.
The exhibition runs from May 21 to June 15. You can see their website here for more information.

- I am astounded and so grateful to have been selected as one of the Canadian winners of Magenta's Flash Forward Festival. To see the entire list of winners, click here.  

- This month is the CONTACT photography festival in Toronto. I will be showing a few pieces with Capic later in the month! More information to come about this exhibit.



Over the next few weeks I will be updating my print shop and announcing a few little projects.

Thank you, everyone.

x

three hundred days

i can almost see you.  

certainty

"In a way, her memory is a theory about how the hanged woman looked to her in the orchard, which she has to respect, in the sense that the landscape’s immanence is an organically developing failure of its language to speak its content. The connection between word and idea corresponding to the landscape is retained, but the connection between the word and the landscape is lost, so the shadow of a hill stays dark during lightning. How she sees the lightning is a time lapse into the planar dimension, a hierarchy of grammar or deference by way of the word belonging to her such as lady suicide or woman suicide, because the woman doesn’t die in her own absence or in effigy, so that no existing philosophy and no philosopher will know soon, enough points with enough speed to handle the richness of her reconstruction of her or him for long. He starts to see patterns in the words and the patterns are pretty to him and distract him. It is well known that lightning is attracted to body heat, a person on horseback or a large saguaro, the way a racket of birds in the morning is a kind of empathy for two people. If we retain the belief that her image of him or her, let’s say him, is a pre-requisite for gaining consciousness of the unknown person, we suppose there is no direct channel of communication to the unknown person, with the result that facts about him or her must exit into the world, before a life can be perceived between the light and dark of function or the object, and desire or the image..."

- Mei-Mei Bersenbrugge

SALON DAGUERRE & VIENTITRÉS MAGAZINE

     From tomorrow up until the 24th, I will be exhibiting works at the lovely Salon Daguerre in Czech Republic. I'm unsure of whether or not an actual facebook event has been created/shared as of yet, but you can find more information on the location and show by following this link here!

     On another note, the second issue of a Spain based magazine, 'Veintitrés' is now available for pre order, in which you can find some of my work. This issue also features the work of Aëla Labbé, Tamara de la Fuente, Luna Miguel, Alex Roulette, Alberto Polo Iañez, Irene La Sen, Callum Ross, Sophie Jodoin, Christian Colomer, Alexandra Levasseur, Adriana Petit, Bartomeu Sastre, Craig Stewart, Raquel Aparicio, Alba Yruela, Lauren Treece, Amy Friend, Nicholas Stevenson, Alex Gil, Pere Llobera, Gerhard, and Julie Calbert.
You can pre order you copy here.


thank you so much.
x

the dog beneath the skin

relearning